In my tortured ears there sounds unceasingly a nightmare whirring and flapping, and a faint,
distant baying as of some gigantic hound. It is not dream—it is not, I fear, even madness—for
too much has already happened to give me these merciful doubts. St. John is a mangled corpse;
I alone know why, and such is my knowledge that I am about to blow out my brains for fear I
shall be mangled in the same way. Down unlit and illimitable corridors of eldritch phantasy
sweeps the black, shapeless Nemesis that drives me to self-annihilation.

May heaven forgive the folly and morbidity which led us both to so monstrous
a fate! Wearied with the commonplaces of a prosaic world, where even the joys of romance and
adventure soon grow stale, St. John and I had followed enthusiastically every aesthetic and
intellectual movement which promised respite from our devastating ennui. The enigmas of the
Symbolists and the ecstasies of the pre-Raphaelites all were ours in their time, but each new
mood was drained too soon of its diverting novelty and appeal. Only the sombre philosophy of
the Decadents could hold us, and this we found potent only by increasing gradually the depth
and diabolism of our penetrations. Baudelaire and Huysmans were soon exhausted of thrills, till
finally there remained for us only the more direct stimuli of unnatural personal experiences
and adventures. It was this frightful emotional need which led us eventually to that detestable
course which even in my present fear I mention with shame and timidity—that hideous extremity
of human outrage, the abhorred practice of grave-robbing.

I cannot reveal the details of our shocking expeditions, or catalogue even
partly the worst of the trophies adorning the nameless museum we prepared in the great stone
house where we jointly dwelt, alone and servantless. Our museum was a blasphemous, unthinkable
place, where with the satanic taste of neurotic virtuosi we had assembled an universe of terror
and decay to excite our jaded sensibilities. It was a secret room, far, far underground; where
huge winged daemons carven of basalt and onyx vomited from wide grinning mouths weird green
and orange light, and hidden pneumatic pipes ruffled into kaleidoscopic dances of death the
lines of red charnel things hand in hand woven in voluminous black hangings. Through these pipes
came at will the odours our moods most craved; sometimes the scent of pale funeral lilies, sometimes
the narcotic incense of imagined Eastern shrines of the kingly dead, and sometimes—how
I shudder to recall it!—the frightful, soul-upheaving stenches of the uncovered grave.

Around the walls of this repellent chamber were cases of antique mummies alternating
with comely, life-like bodies perfectly stuffed and cured by the taxidermist’s art, and
with headstones snatched from the oldest churchyards of the world. Niches here and there contained
skulls of all shapes, and heads preserved in various stages of dissolution. There one might
find the rotting, bald pates of famous noblemen, and the fresh and radiantly golden heads of
new-buried children. Statues and paintings there were, all of fiendish subjects and some executed
by St. John and myself. A locked portfolio, bound in tanned human skin, held certain unknown
and unnamable drawings which it was rumoured Goya had perpetrated but dared not acknowledge.
There were nauseous musical instruments, stringed, brass, and wood-wind, on which St. John and
I sometimes produced dissonances of exquisite morbidity and cacodaemoniacal ghastliness; whilst
in a multitude of inlaid ebony cabinets reposed the most incredible and unimaginable variety
of tomb-loot ever assembled by human madness and perversity. It is of this loot in particular
that I must not speak—thank God I had the courage to destroy it long before I thought
of destroying myself.

The predatory excursions on which we collected our unmentionable treasures
were always artistically memorable events. We were no vulgar ghouls, but worked only under certain
conditions of mood, landscape, environment, weather, season, and moonlight. These pastimes were
to us the most exquisite form of aesthetic expression, and we gave their details a fastidious
technical care. An inappropriate hour, a jarring lighting effect, or a clumsy manipulation of
the damp sod, would almost totally destroy for us that ecstatic titillation which followed the
exhumation of some ominous, grinning secret of the earth. Our quest for novel scenes and piquant
conditions was feverish and insatiate—St. John was always the leader, and he it was who
led the way at last to that mocking, that accursed spot which brought us our hideous and inevitable
doom.

By what malign fatality were we lured to that terrible Holland churchyard?
I think it was the dark rumour and legendry, the tales of one buried for five centuries, who
had himself been a ghoul in his time and had stolen a potent thing from a mighty sepulchre.
I can recall the scene in these final moments—the pale autumnal moon over the graves,
casting long horrible shadows; the grotesque trees, drooping sullenly to meet the neglected
grass and the crumbling slabs; the vast legions of strangely colossal bats that flew against
the moon; the antique ivied church pointing a huge spectral finger at the livid sky; the phosphorescent
insects that danced like death-fires under the yews in a distant corner; the odours of mould,
vegetation, and less explicable things that mingled feebly with the night-wind from over far
swamps and seas; and worst of all, the faint deep-toned baying of some gigantic hound which
we could neither see nor definitely place. As we heard this suggestion of baying we shuddered,
remembering the tales of the peasantry; for he whom we sought had centuries before been found
in this selfsame spot, torn and mangled by the claws and teeth of some unspeakable beast.

I remembered how we delved in this ghoul’s grave with our spades, and
how we thrilled at the picture of ourselves, the grave, the pale watching moon, the horrible
shadows, the grotesque trees, the titanic bats, the antique church, the dancing death-fires,
the sickening odours, the gently moaning night-wind, and the strange, half-heard, directionless
baying, of whose objective existence we could scarcely be sure. Then we struck a substance harder
than the damp mould, and beheld a rotting oblong box crusted with mineral deposits from the
long undisturbed ground. It was incredibly tough and thick, but so old that we finally pried
it open and feasted our eyes on what it held.

Much—amazingly much—was left of the object despite the lapse of
five hundred years. The skeleton, though crushed in places by the jaws of the thing that had
killed it, held together with surprising firmness, and we gloated over the clean white skull
and its long, firm teeth and its eyeless sockets that once had glowed with a charnel fever like
our own. In the coffin lay an amulet of curious and exotic design, which had apparently been
worn around the sleeper’s neck. It was the oddly conventionalised figure of a crouching
winged hound, or sphinx with a semi-canine face, and was exquisitely carved in antique Oriental
fashion from a small piece of green jade. The expression on its features was repellent in the
extreme, savouring at once of death, bestiality, and malevolence. Around the base was an inscription
in characters which neither St. John nor I could identify; and on the bottom, like a maker’s
seal, was graven a grotesque and formidable skull.

Immediately upon beholding this amulet we knew that we must possess it; that
this treasure alone was our logical pelf from the centuried grave. Even had its outlines been
unfamiliar we would have desired it, but as we looked more closely we saw that it was not wholly
unfamiliar. Alien it indeed was to all art and literature which sane and balanced readers know,
but we recognised it as the thing hinted of in the forbidden
Necronomicon of the mad
Arab Abdul Alhazred; the ghastly soul-symbol of the corpse-eating cult of inaccessible Leng,
in Central Asia. All too well did we trace the sinister lineaments described by the old Arab
daemonologist; lineaments, he wrote, drawn from some obscure supernatural manifestation of the
souls of those who vexed and gnawed at the dead.

Seizing the green jade object, we gave a last glance at the bleached and cavern-eyed
face of its owner and closed up the grave as we found it. As we hastened from that abhorrent
spot, the stolen amulet in St. John’s pocket, we thought we saw the bats descend in a
body to the earth we had so lately rifled, as if seeking for some cursed and unholy nourishment.
But the autumn moon shone weak and pale, and we could not be sure. So, too, as we sailed the
next day away from Holland to our home, we thought we heard the faint distant baying of some
gigantic hound in the background. But the autumn wind moaned sad and wan, and we could not be
sure.
II.

Less than a week after our return to England, strange things began to happen.
We lived as recluses; devoid of friends, alone, and without servants in a few rooms of an ancient
manor-house on a bleak and unfrequented moor; so that our doors were seldom disturbed by the
knock of the visitor. Now, however, we were troubled by what seemed to be frequent fumblings
in the night, not only around the doors but around the windows also, upper as well as lower.
Once we fancied that a large, opaque body darkened the library window when the moon was shining
against it, and another time we thought we heard a whirring or flapping sound not far off. On
each occasion investigation revealed nothing, and we began to ascribe the occurrences to imagination
alone—that same curiously disturbed imagination which still prolonged in our ears the
faint far baying we thought we had heard in the Holland churchyard. The jade amulet now reposed
in a niche in our museum, and sometimes we burned strangely scented candles before it. We read
much in Alhazred’s
Necronomicon about its properties, and about the relation of
ghouls’ souls to the objects it symbolised; and were disturbed by what we read. Then terror
came.

On the night of September 24, 19––, I heard a knock at my chamber
door. Fancying it St. John’s, I bade the knocker enter, but was answered only by a shrill
laugh. There was no one in the corridor. When I aroused St. John from his sleep, he professed
entire ignorance of the event, and became as worried as I. It was that night that the faint,
distant baying over the moor became to us a certain and dreaded reality. Four days later, whilst
we were both in the hidden museum, there came a low, cautious scratching at the single door
which led to the secret library staircase. Our alarm was now divided, for besides our fear of
the unknown, we had always entertained a dread that our grisly collection might be discovered.
Extinguishing all lights, we proceeded to the door and threw it suddenly open; whereupon we
felt an unaccountable rush of air, and heard as if receding far away a queer combination of
rustling, tittering, and articulate chatter. Whether we were mad, dreaming, or in our senses,
we did not try to determine. We only realised, with the blackest of apprehensions, that the
apparently disembodied chatter was beyond a doubt
in the Dutch language.

After that we lived in growing horror and fascination. Mostly we held to the
theory that we were jointly going mad from our life of unnatural excitements, but sometimes
it pleased us more to dramatise ourselves as the victims of some creeping and appalling doom.
Bizarre manifestations were now too frequent to count. Our lonely house was seemingly alive
with the presence of some malign being whose nature we could not guess, and every night that
daemoniac baying rolled over the windswept moor, always louder and louder. On October 29 we
found in the soft earth underneath the library window a series of footprints utterly impossible
to describe. They were as baffling as the hordes of great bats which haunted the old manor-house
in unprecedented and increasing numbers.

The horror reached a culmination on November 18, when St. John, walking home
after dark from the distant railway station, was seized by some frightful carnivorous thing
and torn to ribbons. His screams had reached the house, and I had hastened to the terrible scene
in time to hear a whir of wings and see a vague black cloudy thing silhouetted against the rising
moon. My friend was dying when I spoke to him, and he could not answer coherently. All he could
do was to whisper, “The amulet—that damned thing—.” Then he collapsed,
an inert mass of mangled flesh.

I buried him the next midnight in one of our neglected gardens, and mumbled
over his body one of the devilish rituals he had loved in life. And as I pronounced the last
daemoniac sentence I heard afar on the moor the faint baying of some gigantic hound. The moon
was up, but I dared not look at it. And when I saw on the dim-litten moor a wide nebulous shadow
sweeping from mound to mound, I shut my eyes and threw myself face down upon the ground. When
I arose trembling, I know not how much later, I staggered into the house and made shocking obeisances
before the enshrined amulet of green jade.

Being now afraid to live alone in the ancient house on the moor, I departed
on the following day for London, taking with me the amulet after destroying by fire and burial
the rest of the impious collection in the museum. But after three nights I heard the baying
again, and before a week was over felt strange eyes upon me whenever it was dark. One evening
as I strolled on Victoria Embankment for some needed air, I saw a black shape obscure one of
the reflections of the lamps in the water. A wind stronger than the night-wind rushed by, and
I knew that what had befallen St. John must soon befall me.

The next day I carefully wrapped the green jade amulet and sailed for Holland.
What mercy I might gain by returning the thing to its silent, sleeping owner I knew not; but
I felt that I must at least try any step conceivably logical. What the hound was, and why it
pursued me, were questions still vague; but I had first heard the baying in that ancient churchyard,
and every subsequent event including St. John’s dying whisper had served to connect the
curse with the stealing of the amulet. Accordingly I sank into the nethermost abysses of despair
when, at an inn in Rotterdam, I discovered that thieves had despoiled me of this sole means
of salvation.

The baying was loud that evening, and in the morning I read of a nameless deed
in the vilest quarter of the city. The rabble were in terror, for upon an evil tenement had
fallen a red death beyond the foulest previous crime of the neighbourhood. In a squalid thieves’
den an entire family had been torn to shreds by an unknown thing which left no trace, and those
around had heard all night above the usual clamour of drunken voices a faint, deep, insistent
note as of a gigantic hound.

So at last I stood again in that unwholesome churchyard where a pale winter
moon cast hideous shadows, and leafless trees drooped sullenly to meet the withered, frosty
grass and cracking slabs, and the ivied church pointed a jeering finger at the unfriendly sky,
and the night-wind howled maniacally from over frozen swamps and frigid seas. The baying was
very faint now, and it ceased altogether as I approached the ancient grave I had once violated,
and frightened away an abnormally large horde of bats which had been hovering curiously around
it.

I know not why I went thither unless to pray, or gibber out insane pleas and
apologies to the calm white thing that lay within; but, whatever my reason, I attacked the half-frozen
sod with a desperation partly mine and partly that of a dominating will outside myself. Excavation
was much easier than I expected, though at one point I encountered a queer interruption; when
a lean vulture darted down out of the cold sky and pecked frantically at the grave-earth until
I killed him with a blow of my spade. Finally I reached the rotting oblong box and removed the
damp nitrous cover. This is the last rational act I ever performed.

For crouched within that centuried coffin, embraced by a close-packed nightmare
retinue of huge, sinewy, sleeping bats, was the bony thing my friend and I had robbed; not clean
and placid as we had seen it then, but covered with caked blood and shreds of alien flesh and
hair, and leering sentiently at me with phosphorescent sockets and sharp ensanguined fangs yawning
twistedly in mockery of my inevitable doom. And when it gave from those grinning jaws a deep,
sardonic bay as of some gigantic hound, and I saw that it held in its gory, filthy claw the
lost and fateful amulet of green jade, I merely screamed and ran away idiotically, my screams
soon dissolving into peals of hysterical laughter.

Madness rides the star-wind . . . claws and teeth sharpened
on centuries of corpses . . . dripping death astride a Bacchanale of bats from
night-black ruins of buried temples of Belial. . . . Now, as the baying of that
dead, fleshless monstrosity grows louder and louder, and the stealthy whirring and flapping
of those accursed web-wings circles closer and closer, I shall seek with my revolver the oblivion
which is my only refuge from the unnamed and unnamable.